Mukhunda is a dumb and crazy guy also called Mukya by the villagers as he is unable to speak he does odd work in villagers but sometimes doubles the work due to his craziness.Chandraakka daughter of village head lives with her father Saheb her marriage isn't happening as the fortune teller has predicted wrong star ( Mangal) in her life.Mukya's mother whose close to Saheb and his family and does not believe in wrong stars and ensures Chandra marries to a good guy.Chandra and Mukya get close to each other and Mukya gains his voice back after he meets with an accident as Chandtra isn't getting a suitable boy Saheb asks Mukya's mother to get them both married to which she agrees as the marriage is nearing Mukya gets more attention in village and Saheb feels his place is at risk and decides to play tricks to separate them.

The film tells the story of an enthusiastic young man who joins a textile factory in the late 1950s and assumes that a promising career awaits him - the protagonist is therefore constantly comparing himself to his favourite literary model, the equally ambitious Julian Sorel from Stendhal's fresco The Red and the Black. The result, however, lacks the necessary conviction, the ability to draw the viewer into his world, and remains too contrived, as the chosen period has become a mere non-committal backdrop for amorous games.

暂无剧情简介

Angga, Abi, and Eksa, are three single friends, living and studying in the same campus. One night, they have the same dream about a beautiful and sexy girl. Then Rebecca joins their campus and she is just as sexy as the girl in their dream. Rebecca’s arrival in the campus causes a commotion, as all male students are enthralled by her. Then Angga, Abi, and Eksa decide to try to win Rebecca’s heart.

暂无剧情简介

Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness. The encore of celebration sounds delusionary as the drunken conversation about communism, about its methods and means, about it intricate turns through history degenerates to bourgeois nonsense and decadence leading to absurd rifts, comic conflicts, unleashed orgies and debauchery.

Ghya Chang Fou is a dark political satire which identifies itself as an alternative underground film. The film has been made without any support from the mainstream industry and thus in many ways it belongs to the domain of independent film making practice. The film depicts unabashed sex, violence, BDSM acts, extreme political views and incest. The film consciously avoids the glossy look. Instead, it explores with raw and dark images which adds novelty to the film. Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness.